Mostrando entradas con la etiqueta reciclatge. Mostrar todas las entradas
Mostrando entradas con la etiqueta reciclatge. Mostrar todas las entradas
Bélaműhely
belamuhely.com
Listen and download Tekno_1 and the whole album: CSÁCSÚCSÍCSÓ here:
https://www.dalok.hu/lemez/id/3182
a partir del minut 5:30 toquen junts generant poliritmia harmonitzada
deriva
Listen and download Tekno_1 and the whole album: CSÁCSÚCSÍCSÓ here:
https://www.dalok.hu/lemez/id/3182
a partir del minut 5:30 toquen junts generant poliritmia harmonitzada
deriva
bart hopkin i la construcció d'instruments
estic llegintl'excel.lent llibre d'en Bart Hopkin "musical instrument desingn"
i l'he trobat sencer, penjat a internet !!!
http://books.google.com/books?
en Hopkin menciona 6 vengades els Baschet, (en François em va dir que són amics) però a banda d'això que sempre fa il.luisió, és un gran locu enciclopèdic de la construcció d'instruments...
estirant del fil he trobat aquesta megaweb.
http://windworld.com/
dins de la que hi ha la la superweb de Bart Hopkin
http://windworld.com/bart/
i us recomano espcialment l'apartat
http://windworld.com/bart/
on trobareu instruments inventats per ell i molts d'ells amb mostres de com sonen.
Encara no he buscat videos però només amb això n'hi ha per estona!
apa, bona nit!
i l'he trobat sencer, penjat a internet !!!
http://books.google.com/books?
en Hopkin menciona 6 vengades els Baschet, (en François em va dir que són amics) però a banda d'això que sempre fa il.luisió, és un gran locu enciclopèdic de la construcció d'instruments...
estirant del fil he trobat aquesta megaweb.
http://windworld.com/
dins de la que hi ha la la superweb de Bart Hopkin
http://windworld.com/bart/
i us recomano espcialment l'apartat
http://windworld.com/bart/
on trobareu instruments inventats per ell i molts d'ells amb mostres de com sonen.
Encara no he buscat videos però només amb això n'hi ha per estona!
apa, bona nit!
Tapes d'olla
The Aquaggaswack
This is a homemade instrument made out of pot lids. The video was created for an exhibition called "Rare Instruments" in Compiegne, France, May-June 2008.
uiiiiiiiiiiiiiiiiééé
play percussion without music instruments with other equipment such as the garbages, bottles drums solo traditional
(s'està portangt molt el rollo tradicional combinat amb una mica de show bolibudienc improvisadamnent, estic casolà de la Universitat de Mahasarakham!)
Bow Gamelan ensemble
Bow Gamelan ensemble
http://www.annebean.net/past-projects/1981-1990/119
courtesy of The Scotsman
photo by P Sakomizu
photo by Ed Sirrs
photo by the artists
The Bow Gamelan Ensemble was founded in 1983 by Anne Bean, Paul Burwell and Richard Wilson during a boat trip up Bow Creek. Over the next seven years they created a dynamic experience using sound, light and performance which went beyond the conventional definitions of music event.
Since their first (intended to be their only) performance at the London Musicians Collective, the Bow Gamelan Ensemble made dozens of performances, events and specially commissioned works throughout Europe, America, Mexico and Japan.
The name Bow Gamelan derives from the area of East London where they lived and worked and from the Indonesian metallophone ensembles. Their instruments were all specially constructed, mostly from scrap metal, electric motors and glass and produced a wide variety of sounds ranging from the deep, organ like sounds of the pyrophones through a gamut of percussive timbres and dynamic range. Both the sound sources and the musical structures generated were unusual because of the physical relationship between the way instruments work and how they had to be played.
The unique sensibilities of the individual members combined with their long experience in the areas of performance art, drumming, sculpture, environments and multi-media made the collaboration remarkably creative and fruitful.
The Bow Gamelan grew from intimate indoor performances to large outdoor events which created new orchestras out of discarded materials around the world. They developed relationships with pyrotechnicians such as Wilf Scott, le Maitre Fireworks and El Diablo in Mexico and entered into a range of working relationships with artists and groups such as the sound poet Bob Cobbing, the American percussionist z’ev, Simon York of Miraculous Engineering, Tom Leadlay of the Thames Steam Launch Company, Eel Pie Marine, Ballooning World, historic re-creation societies and remote control helicoptor enthusiasts.
In their seven year history, Bow Gamelan received enthusiastic accolades and worldwide press coverage :
They serve up adventures in music, sculpture and performance that dazzle the eyes, astonish the ears and stimulate the imagination of viewers with an unorthodox magic.
Time Out Performance Award
The Bow Gamelan Ensemble… is the most stunning cross media project of the decade. Gloriously inventive, riotously funny and completely accessible.
City Limits
The sheer scale of the thing is a delight to behold… the smoke and light constantly changing creates a strange beauty where you would never have expected to find it.
The Sunday Times
See also In C and Air (1986), Concrete Barges (1986), Offshore Rig and The Navigators (1987-88), A Damned Near Run Thing (1988), Worldwide (1985-89).
http://www.annebean.net/past-projects/1981-1990/119
courtesy of The Scotsman photo by P Sakomizu photo by Ed Sirrs photo by the artists | Bow Gamelan Ensemble (1983 - 1990) |
The Bow Gamelan Ensemble was founded in 1983 by Anne Bean, Paul Burwell and Richard Wilson during a boat trip up Bow Creek. Over the next seven years they created a dynamic experience using sound, light and performance which went beyond the conventional definitions of music event.
Since their first (intended to be their only) performance at the London Musicians Collective, the Bow Gamelan Ensemble made dozens of performances, events and specially commissioned works throughout Europe, America, Mexico and Japan.
The name Bow Gamelan derives from the area of East London where they lived and worked and from the Indonesian metallophone ensembles. Their instruments were all specially constructed, mostly from scrap metal, electric motors and glass and produced a wide variety of sounds ranging from the deep, organ like sounds of the pyrophones through a gamut of percussive timbres and dynamic range. Both the sound sources and the musical structures generated were unusual because of the physical relationship between the way instruments work and how they had to be played.
The unique sensibilities of the individual members combined with their long experience in the areas of performance art, drumming, sculpture, environments and multi-media made the collaboration remarkably creative and fruitful.
The Bow Gamelan grew from intimate indoor performances to large outdoor events which created new orchestras out of discarded materials around the world. They developed relationships with pyrotechnicians such as Wilf Scott, le Maitre Fireworks and El Diablo in Mexico and entered into a range of working relationships with artists and groups such as the sound poet Bob Cobbing, the American percussionist z’ev, Simon York of Miraculous Engineering, Tom Leadlay of the Thames Steam Launch Company, Eel Pie Marine, Ballooning World, historic re-creation societies and remote control helicoptor enthusiasts.
In their seven year history, Bow Gamelan received enthusiastic accolades and worldwide press coverage :
They serve up adventures in music, sculpture and performance that dazzle the eyes, astonish the ears and stimulate the imagination of viewers with an unorthodox magic.
Time Out Performance Award
The Bow Gamelan Ensemble… is the most stunning cross media project of the decade. Gloriously inventive, riotously funny and completely accessible.
City Limits
The sheer scale of the thing is a delight to behold… the smoke and light constantly changing creates a strange beauty where you would never have expected to find it.
The Sunday Times
See also In C and Air (1986), Concrete Barges (1986), Offshore Rig and The Navigators (1987-88), A Damned Near Run Thing (1988), Worldwide (1985-89).
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